Game of Thrones (Ramin Djawadi)

Final Musings: A weak and even dull score but a rather surprisingly effective effort by Djawadi with some good highlights. It may be an unpleasant experience for fans of fantasy music, but its Djawadi’s best and leaves solid potential for a sequel.

George R.R. Martin’s A Game of Thrones was first published on August 6, 1996. Since then, the series has garnered an enormous fanbase. The reception to this hit series has been enormously positive with some critics even daring to hail him as the “American Tolkien”. I myself have onlyrecently been exposed to this literature and boy was I blown away. It was certainly not up there with Lord of the Rings (then again, nothing really has reached that high for me) but it was definitely one of the most original and enticing fantasy works I’ve been exposed too.

A Game of Thrones isn’t your typical fantasy. It’s an intricate tapestry of multiple sub-plots and storylines all weaving together for a larger purpose. You don’t get your share of optimism and wonder (instead you get a bunch of plot twists). No. George R.R. Martin provides a deep sense of realism and paints the brutal nature of the realistic Middle Ages. It is a dark story about the struggle for power, and the corruption of the mortal world. You don’t get your share of noble and honest characters. But that’s one of the things that makes A Song of Ice and Fire such a great masterpiece. Instead of elaborating more on it however, I suggest you go read it yourselves (for those who haven’t got the opportunity to do so). Read the rest of this entry »